Epistémologie de la communication: science, sens et métaphore
In: Communication et civilisation
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In: Communication et civilisation
In: French cultural studies, Band 32, Heft 1, S. 42-54
ISSN: 1740-2352
This article outlines and discusses two aspects of the French mediatization of Tu ne tueras point ( Hacksaw Ridge) film: the relationship between media, normative secularism and religion in the context of the hegemony of mediatization as 'media and communication-centered' phenomenon. Based on the content analysis and discursive strategies of the biographical war drama chronicles, the contribution points out less developed empirical aspects in France regarding the relation between religion and media: (a) the media discourse is dependent on a normative narrative of secularism, (b) the media discourse represents and expresses a confusion between the sacred, religion and faith, deliberately created and maintained by the journalists, and (c) the media discourse is based on a conception of violence with modern origins.
In: Tic & société, Heft Vol. 9, N° 1-2
ISSN: 1961-9510
In: Questions contemporaines. Questions de communication
In: Questions contemporaines. Série Questions de communication
In: Médias, spiritualité et laïcité: regards croisés franco-roumains, S. 43-60
Le problème que je pose dans ce cadre consiste à voir quel sont les pratiques des médias de service public à l'égard des représentations de la diversité religieuse et, plus précisément, à l'égard des représentations de transmission et communication de la foi dans deux pays européens dont l'un fort religieux et l'autre fort laïc, la Roumanie et la France. Il est question de voir en quoi le discours des médias publics sur la diversité n'altère pas le principe de la laïcité, la neutralité, le respect du pluralisme et l'intégralité des consciences. Pour ce faire, je vais retenir deux cas de figure, deux émissions télévisées diffusées sur les chaînes publiques de télévision en France et en Roumanie: l'émission "Le jour du Seigneur", avec ses déclinaisons d'intitulé au fil du temps "Programme du dimanche" et "Les chemins de la foi", diffusée sur France 2 et "Universul credintei" ("l'Univers de la foi") diffusée sur TVR1. En considérant ces deux programmes de télévision, je vais tenter de répondre globalement aux questionnements suivants: est-ce que tous les mouvements religieux sont-ils présents dans les médias audiovisuels publics autant que les acteurs des confessions religieuses traditionnellement implantées? Oui, c'est une réalité, certains mouvements disposent de leurs propres chaînes, mais leur présence sur leurs chaînes privées ne remplace pas un droit par un autre. S'agit-t-il alors d'une situation de monopole et de visibilité maximale des courants religieux dominants dans l'espace public au travers des médias publics? Plus de normalisation garantit plus d'accès compte tenu que le principe de laïcité prévoit l'égalité et l'absence de hiérarchie entre les différentes croyances et cultes?
International audience ; This article presents an empirical study on the institutional audiovisual mediatization of social sustainability made by the eighteen religious denominations officially recognized in Romania during the period of the COVID-19 pandemic onset. Research is undertaken based on the mediatization theories. Specifically, it highlights and discusses the conditions for producing the meaning of social sustainability as a result of religious mediatization during the months of March, April and May 2020, a period with strong religious connotations since it involved the dates of the major annual feasts celebrated by the three majority monotheistic religions, i.e., the Christian Easter, the Muslim Ramadan and the Jewish Passover. As a result, we noticed that the production of meaning in terms of social sustainability was simultaneously anchored in the accumulation of four contextual "social worlds": (a) that of social transformation induced by mediatization, (b) that of the COVID-19 pandemic, a crisis that is neither social, economic, or environmental, but with consequences on the three levels of reality mentioned above, (c) that of spirituality during the time of the great monotheistic religious feasts and (d) that of the national culture of Romania, statistically the most religious country of the European Union.
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This article presents an empirical study on the institutional audiovisual mediatization of social sustainability made by the eighteen religious denominations officially recognized in Romania during the period of the COVID-19 pandemic onset. Research is undertaken based on the mediatization theories. Specifically, it highlights and discusses the conditions for producing the meaning of social sustainability as a result of religious mediatization during the months of March, April and May 2020, a period with strong religious connotations since it involved the dates of the major annual feasts celebrated by the three majority monotheistic religions, i.e., the Christian Easter, the Muslim Ramadan and the Jewish Passover. As a result, we noticed that the production of meaning in terms of social sustainability was simultaneously anchored in the accumulation of four contextual "social worlds": (a) that of social transformation induced by mediatization, (b) that of the COVID-19 pandemic, a crisis that is neither social, economic, or environmental, but with consequences on the three levels of reality mentioned above, (c) that of spirituality during the time of the great monotheistic religious feasts and (d) that of the national culture of Romania, statistically the most religious country of the European Union.
BASE
International audience ; This article presents an empirical study on the institutional audiovisual mediatization of social sustainability made by the eighteen religious denominations officially recognized in Romania during the period of the COVID-19 pandemic onset. Research is undertaken based on the mediatization theories. Specifically, it highlights and discusses the conditions for producing the meaning of social sustainability as a result of religious mediatization during the months of March, April and May 2020, a period with strong religious connotations since it involved the dates of the major annual feasts celebrated by the three majority monotheistic religions, i.e., the Christian Easter, the Muslim Ramadan and the Jewish Passover. As a result, we noticed that the production of meaning in terms of social sustainability was simultaneously anchored in the accumulation of four contextual "social worlds": (a) that of social transformation induced by mediatization, (b) that of the COVID-19 pandemic, a crisis that is neither social, economic, or environmental, but with consequences on the three levels of reality mentioned above, (c) that of spirituality during the time of the great monotheistic religious feasts and (d) that of the national culture of Romania, statistically the most religious country of the European Union.
BASE
International audience ; This article presents an empirical study on the institutional audiovisual mediatization of social sustainability made by the eighteen religious denominations officially recognized in Romania during the period of the COVID-19 pandemic onset. Research is undertaken based on the mediatization theories. Specifically, it highlights and discusses the conditions for producing the meaning of social sustainability as a result of religious mediatization during the months of March, April and May 2020, a period with strong religious connotations since it involved the dates of the major annual feasts celebrated by the three majority monotheistic religions, i.e., the Christian Easter, the Muslim Ramadan and the Jewish Passover. As a result, we noticed that the production of meaning in terms of social sustainability was simultaneously anchored in the accumulation of four contextual "social worlds": (a) that of social transformation induced by mediatization, (b) that of the COVID-19 pandemic, a crisis that is neither social, economic, or environmental, but with consequences on the three levels of reality mentioned above, (c) that of spirituality during the time of the great monotheistic religious feasts and (d) that of the national culture of Romania, statistically the most religious country of the European Union.
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